We have to leave

‘The absurdity of everyday life’ – bit of dark british humor is the only response we can think of. ‪#‎EUReferendum‬ ‪#‎Brexit‬

We are together

Miyoko Ihara (2)Miyoko Ihara (3)Miyoko Ihara (4)Miyoko Ihara (5)Miyoko Ihara (6)Miyoko Ihara (7)Miyoko Ihara (8)Miyoko Ihara (1)

Miyoko Ihara /// Photo series of the bond between a grandmother and her odd-eyed white cat

We spin

Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (3) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (4) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (5) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (6) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (7) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (8) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (9) Jan Leonardo Wöllert (previously) is a German photographer who started his career by specializing in nighttime pictures and has since shifted his focus to the field of light art performance (1)

Light Art Photography by Electrical Movements in the Dark (EMD).

We are beautiful

body-image-issues-american-beauty-carey-fruth-14 body-image-issues-american-beauty-carey-fruth-12 body-image-issues-american-beauty-carey-fruth-11 body-image-issues-american-beauty-carey-fruth-10 body-image-issues-american-beauty-carey-fruth-9 body-image-issues-american-beauty-carey-fruth-8 body-image-issues-american-beauty-carey-fruth-7 body-image-issues-american-beauty-carey-fruth-6 body-image-issues-american-beauty-carey-fruth-5 body-image-issues-american-beauty-carey-fruth-4 body-image-issues-american-beauty-carey-fruth-3 body-image-issues-american-beauty-carey-fruth-2

It’s a scene etched in many a movie goers mind – actress Mena Suvari rolling around in a room full of rose petals in Kevin Spacey’s “American Beauty” dream.

Photographer Carey Fruth has made her own interpretation of this scene with her “American Beauty” image series.  In it, women of all shapes and sizes  which shows women of all shapes and sizes lying on a bed of flowers. Fruth wants to retake that quintessential male fantasy and use it to empower women of all colors, ages and sizes to be happy about their bodies:

“By stepping into a fantasy dream girl world and by letting go of that fear, they free themselves up to direct that energy they once wasted on telling themselves that they weren’t good enough to elsewhere in their life,” Fruth said. (via artfido)

Panoramic View

An old residential building is seen surrounded by a newly-built ring viaduct, in Guangzhou

An old residential building is seen surrounded by a newly-built ring viaduct, in Guangzhou, Guangdong province, China, June 18, 2015. The building was planned to be demolished, but several units in the building refused to move out as they couldn’t reach a compensation agreement with the authority, local media reported. Picture via REUTERS/Ma Qiang/Southern Metropolis Daily

We are going in circles

Studio Associato Bernardo Secchi Paola Viganò. Hostel Wadi. De Hoge Rielen, Kasterlee. Belgium. photos Frederik Buyckx (3) Studio Associato Bernardo Secchi Paola Viganò. Hostel Wadi. De Hoge Rielen, Kasterlee. Belgium. photos Frederik Buyckx (4) Studio Associato Bernardo Secchi Paola Viganò. Hostel Wadi. De Hoge Rielen, Kasterlee. Belgium. photos Frederik Buyckx (5) Studio Associato Bernardo Secchi Paola Viganò. Hostel Wadi. De Hoge Rielen, Kasterlee. Belgium. photos Frederik Buyckx (6) Studio Associato Bernardo Secchi Paola Viganò. Hostel Wadi. De Hoge Rielen, Kasterlee. Belgium. photos Frederik Buyckx (1)

Hostel Wadi in Kasterlee, Belgium by Studio Bernardo Secchi & Paola Viganò. Photos by Frederik Buyckx

We are trapped

Meshology by Sven Hauth & Dimitri Daniloff (2) Meshology by Sven Hauth & Dimitri Daniloff (3) Meshology by Sven Hauth & Dimitri Daniloff (4) Meshology by Sven Hauth & Dimitri Daniloff (5) Meshology by Sven Hauth & Dimitri Daniloff (6) Meshology by Sven Hauth & Dimitri Daniloff (7) Meshology by Sven Hauth & Dimitri Daniloff (8) Meshology by Sven Hauth & Dimitri Daniloff (1)

Meshology by Dimitri Daniloff & Sven Hauth

French photographer Dimitri Daniloff and German CG artist Sven Hauth worked in collaboration to create this series of photo manipulations entitled “Meshology”.

We are getting married

Sifnos Tom Radenz Hovercraftdoggy (10) Sifnos Tom Radenz Hovercraftdoggy (9) Sifnos Tom Radenz Hovercraftdoggy (8) Sifnos Tom Radenz Hovercraftdoggy (7) Sifnos Tom Radenz Hovercraftdoggy (6) Sifnos Tom Radenz Hovercraftdoggy (5) Sifnos Tom Radenz Hovercraftdoggy (4) Sifnos Tom Radenz Hovercraftdoggy (3) Sifnos Tom Radenz Hovercraftdoggy (2) Sifnos Tom Radenz Hovercraftdoggy (1) IMG_7032-11 IMG_7420-11 IMG_7562-11 IMG_7570-11 IMG_7533-11 IMG_7544-11 IMG_7263-11 IMG_7164-11-2

We are off getting married on the beautiful Greek island of Sifnos. See you in 3 weeks :)

Photographs by Tom Radenz

We found another planet

8cave vietnam8 8cave vietnam7 cave vietnam7 cave vietnam6 cave vietnam5 cave vietnam4 cave vietnam3 3cave vietnam2 cave vietnam2 cave vietnam1 cave vietnam

Hang Son Doong in Vietnam is the largest cave on Earth. Located near the border between Laos and Vietnam, this behemoth is approximately 9km (5.6 miles) long and contains its own large, flowing river.

The largest chamber in this single cave runs for 5km (3.1 miles), is 200m (656ft) high and 150m (492ft) wide, and contains some of the tallest stalagmites in the world – up to 70m tall (229ft).

 

Photographs by Ryan Deboodt, John Spies, Patrick Murray, Dinh Anh Cuong Nguyen, and Mike Rowbottom

We see 3D

3D street art by Edgar Mueller (2) 3D street art by Edgar Mueller (3) 3D street art by Edgar Mueller

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3D street art by German artist Edgar Mueller

We go big

mount blanc

Meet the biggest photograph ever taken – capturing Mount Blanc at a height of 3500m, by Italian photographer Filippo Blengini who stitched 70.000 individual photographs into a single 365 Gigapixel image, 46 Terabytes in file size. View the image HERE and zoom in to explore the incredible detail.

We tape

Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (2) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (3) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (4) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (5) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (6) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (7) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (8) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (9) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (10) Masking Tape Street Art Australian street artist Buff Diss based in Melbourn, only create with masking tape. Creation’s size and geometry really tell us about the volume of masking tape and work (1)

Masking Tape Street Art by Australian street artist Buff Diss based in Melbourne.

Flower Power

Ocean of Flowers in Luoping, China (6) Ocean of Flowers in Luoping, China (5) Ocean of Flowers in Luoping, China (4) Ocean of Flowers in Luoping, China (3)Ocean of Flowers in Luoping, China (1) Luoping Rape Flower Fields, Yunnan Province, China / photographed by +Lanzi These sparkling images, that look more like a golden ocean, are of yellow rapeseed flowers, also known as canola, attract thousands of tourists every year (during the blossoming season) to Luoping, a small county in eastern China.

We are city dwellers

Bence Bakonyi. Urbanite (1) Bence Bakonyi. Urbanite (2) Bence Bakonyi. Urbanite (3) Bence Bakonyi. Urbanite (4) Bence Bakonyi. Urbanite (5) Bence Bakonyi. Urbanite (6) Bence Bakonyi. Urbanite (7) Bence Bakonyi. Urbanite (8) Bence Bakonyi. Urbanite (9)

In a surreal blend of day and night, Budapest-based photographer Bence Bakonyi’s series “Urbanite” features vast cityscapes seemingly devoid of people. Shot in Hong Kong and Shanghai, the series presents settings in which the presence of humanity is eerily close, as though the population had suddenly fled, leaving lights on and laundry on the line.Bakonyi’s artist statement describes the series’ intended effect upon its audience; “The ‘Urbanite’ series is an account of how the artist found his home in the unknown. We can see the city as it is presented by the photographer, but also the artist who is in turn brought closer to us by China.” (text via fstoppers.com)

We are coloured

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

Humanae/ Angelica Dass/

http://www.angelicadass.com/humanae-work-in-progress/

Humanae/ Angelica Dass/ Humanae/ Angelica Dass/ Humanae/ Angelica Dass/

http://www.angelicadass.com/humanae-work-in-progress/

Humanae by Angelica Dass

Words from the photographer:

Humanæ  is a chromatic inventory, a project that reflects on the colors beyond the borders of our codes by referencing the PANTONE® color scheme.

The project development is based on a series of portraits whose background is dyed with the exact Pantone® tone extracted from a sample of 11×11 pixels of the portrayed´s face. The project’s objective is to record and catalog all possible human skin tones.

Humanæ it’s a pursuit for highlighting our subtle-continuous of our tones that make more equality than difference… our true colors, rather than the untrue Red and Yellow, Black and White. It is a kind of game for subverting our codes. The audience is free to read into it. The ultimate goal is to provoke and bring currently using internet as a discussion platform on ethnic identity, creating images that lead us to match us independent from factors such as nationality, origin, economic status, age or aesthetic standards.

(All the portrayed are volunteers, people who approach to the project, visit the space in which I am portraying and decide to participate on their own by a Internet call on the Facebook page, on Tumblr , using public spaces in Madrid, Barcelona, Valencia, Winterthur, Bergen, Daegu,Addis Ababa, Rio de Janeiro, São Paulo, Paris and Chicago)
(PANTONE® Guides are one of the main classification systems of colors, which are represented by an alphanumeric code, allowing to accurately recreate any of them in any media. It is a technical industrial standard often called Real Color)

We hang out together

Close Up Lights by Cristina Vezzini and Sheng Tsang Chen (1) Close Up Lights by Cristina Vezzini and Sheng Tsang Chen (2) Close Up Lights by Cristina Vezzini and Sheng Tsang Chen (3) Close Up Lights by Cristina Vezzini and Sheng Tsang Chen (4)

Close Up Lights by Cristina Vezzini and Sheng Tsang Chen

We are amused

Cony Island Architecture  Franck Bohbot (2) Cony Island Architecture  Franck Bohbot (3) Cony Island Architecture  Franck Bohbot (4) Cony Island Architecture  Franck Bohbot (5) Cony Island Architecture  Franck Bohbot (6) Cony Island Architecture  Franck Bohbot

Cony Island amusement park, Brooklyn, New York City by Franck Bohbot

Bohbot’s series, entitled “Last Stop — Coney Island” transforms the seedy New York amusement park into a placid landscape of washed out pastels and muted dreams. Through Bohbot’s lens, the park morphs into a hazy limbo trapped somewhere between a child’s idealised version of the adventure park and an adult’s far more jaded perspective. The eerie yet beautiful landscapes conjure the opposite feeling of actually being at the crowded, sweat-filled pier, and that’s exactly why they have us so entranced.

Veiled Mystery

Irving Penn - Veiled Mystery of Morocco (1971) Irving Penn - Veiled Mystery of Morocco (1972) Irving Penn - Veiled Mystery of Morocco (1973) Irving Penn - Veiled Mystery of Morocco (1974)

From the series: ‘Veiled Mystery of Morocco” (1974) by Irving Penn

American photographer Irving Penn (1917 – 2009) is widely known for his fashion, portrait, and still life images, but he also pursued numerous opportunities to photograph the indigenous people of Africa, Latin America and Melanesia. 

In 1948 Penn went to Cuzco, a small town in the centre of the Peruvian Andes, to photograph its inhabitants. Photographing with northern light, Penn posed his sitters in manners that emphasized the texture and form of their garments and presented them with honesty through the strength of their expressions. Despite the cultural gulf that separated photographer and subject, Penn’s portraits stand as sensitive and intimate records.

In the years following his work in Cuzco, Penn continued to travel the globe with the curiosity of an anthropologist and the eye of an artist. He would design and build a portable studio for his travel into isolated areas. In 1967, he landed in Dahomey, a region now part of Benin. With his tent studio in tow, Penn installed his set throughout the country, documenting the pride and splendour of its many tribes. Two years later, he travelled to Cameroon to photograph the Kirdi, a Sudanese speaking ethnic minority from the north. In the solitude of his portable studio, Penn made visual records of a people imbued with inner peace and spiritual gravity.

During his travels, Penn produced some of his best photographs in 1970 in the highlands of New Guinea. In this mountainous territory, he made majestic portraits of villagers elaborately deco¬rated with a body art unique to the region. A year later, Penn carried out his final trip of this kind to Morocco, a place both familiar and mysterious to him, to photograph the men and often veiled women of the Arabic tribes along the Atlas mountain range. 

The power and elegance of these pictures, made into meticulous prints by the artist, reveal the affection Penn had for the spirit and traditions of these individuals and his deep respect for their respective cultures. (text via photography-now)

We could use a cabin

A Canadian treehouse (1) A Canadian treehouse (2) A Canadian treehouse (3) A Canadian treehouse (4)Lake-Cottage-By-UUfie_dezeen_3

Lake-Cottage-By-UUfie_dezeen_9

A Lake Cottage in Bolsover, Ontario, Canada by UUfie / photographed by Naho Kubota.

Words from the architects:

Lake Cottage is a reinterpretation of living in a tree house where nature is an integral part of the building. In a forest of birch and spruce trees along the Kawartha Lakes, the cottage is designed as a two storey, multi-uses space for a large family. The structure, composed of a 7m high A-frame pitch roof covered in black steel and charred cedar siding. A deep cut in the building volume creates a cantilever overhang for a protected outdoor terrace with mirrors to further give the illusion of the building containing the forest inside.

Fourteen openings in the main living space reveal both inhabited spaces, skies and trees. The abstract nature of the interior spaces allows the imagination to flow, and those spaces that could be identified as a domestic interior can suddenly become play spaces. A solid timber staircase leads to a loft which gives the feeling of ascending into tree canopies as sunlight softy falls on a wall covered in shingles stained in light blue.

Using local materials and traditional construction methods, the cottage incorporated sustainable principles. The black wood cladding of the exterior is a technique of charring cedar that acts as a natural agent against termite and fire. Thick walls and roof provide high insulation value, a central wood hearth provides heat, deep recessed windows and operable skylights provide ventilation and diffused natural light.

Its friday

Hovering cat

A hover-cat…now we have seen everything!

Our heads are spinning

Florencia Durante Envelopment series (1) Florencia Durante Envelopment series (2) Florencia Durante Envelopment series (3) Florencia Durante Envelopment series (4) Florencia Durante Envelopment series (5)

From the series ‘Envelopment’ – Incredible light art photography by Florencia Durante

We craft

ARTS&CRAFTS BY DIEGO QUEROL 3D Digital Artist Diego Querol -  Personal project trying to play with colors and textures to create a nice atmosphere (1) ARTS&CRAFTS BY DIEGO QUEROL 3D Digital Artist Diego Querol -  Personal project trying to play with colors and textures to create a nice atmosphere (2) ARTS&CRAFTS BY DIEGO QUEROL 3D Digital Artist Diego Querol -  Personal project trying to play with colors and textures to create a nice atmosphere (3) ARTS&CRAFTS BY DIEGO QUEROL 3D Digital Artist Diego Querol -  Personal project trying to play with colors and textures to create a nice atmosphere (4) ARTS&CRAFTS BY DIEGO QUEROL 3D Digital Artist Diego Querol -  Personal project trying to play with colors and textures to create a nice atmosphere (5) ARTS&CRAFTS BY DIEGO QUEROL 3D Digital Artist Diego Querol -  Personal project trying to play with colors and textures to create a nice atmosphere (6)

‘ARTS & CRAFTS’ by 3D Digital Artist Diego Querol

We feel a breeze

Storms Ben Messina (2) Storms Ben Messina (3) Storms Ben Messina (4) Storms Ben Messina (5) Storms Ben Messina (1)

From the series ‘Storms and Weather’ by Ben Messina

We are tempted

© Jens Kristian Balle 2012, www.jenskristianballe.com Temptations Vancouver native Jens Kristian Balle explores peoples desire to do something, especially something wrong in the series “temptations” (3) © Jens Kristian Balle 2012, www.jenskristianballe.com © Jens Kristian Balle 2012, www.jenskristianballe.com © Jens Kristian Balle 2012, www.jenskristianballe.com

Temptations –  by photographer Jens Kristian Balle

temptation – a desire to do something, esp. something wrong or unwise.

Keeping this definition in mind the conceptual Temptations series was created fixating on the negative lifestyle habits and addictions of humans around the world. Though the theme is dark the series is kept light-hearted, full of bright colours and carefully styled objects to match.
The series itself was made to make people smile, but of course, it also has a message to maybe get a few people to think twice about their lifestyle choices, or in a funny way to reinforce what people probably already know. (text via dodho.com)

We are going to put on a shirt

Spencer Tunick Power to the People (1) Spencer Tunick Power to the People (2) Spencer Tunick Power to the People (3) Spencer Tunick Power to the People (5)

Spencer Tunick – Power to the People / For 20 years now, New York-based photographer Spencer Tunick has been creating human art installations all over the world, calling together volunteers by the hundreds or thousands, asking them to remove their clothes, and photographing them in massive groups. His philosophy is that “individuals en masse, without their clothing, grouped together, metamorphose into a new shape.” He aims to create an architecture of flesh, where the masses of human bodies blend with the landscape, or juxtapose with architecture. (Text via the atlantic)

We could have a burger

Slow Wood is a handmade prototype for unconventional sandwiches far from the mass catering. Slow Wood was in the kitchen of KidsRoomZoom during the 2011Fu (2) Slow Wood is a handmade prototype for unconventional sandwiches far from the mass catering. Slow Wood was in the kitchen of KidsRoomZoom during the 2011Fu (3) Slow Wood is a handmade prototype for unconventional sandwiches far from the mass catering. Slow Wood was in the kitchen of KidsRoomZoom during the 2011Fu (4) Slow Wood is a handmade prototype for unconventional sandwiches far from the mass catering. Slow Wood was in the kitchen of KidsRoomZoom during the 2011Fu (1)

SLOW WOOD by Studio Fludd // Slow Wood is a handmade prototype for unconventional sandwiches far from the mass catering. To find out more, visit their website here

We want to go on safari

Office Safari (2) Office Safari (3) Office Safari (4) Office Safari (5) Office Safari (6) Office Safari (1)

Office Safari…explains itself ;)

Comfort Zone

COMFORT ZONE BY TADAO CERN (2) COMFORT ZONE BY TADAO CERN (3) COMFORT ZONE BY TADAO CERN (4) COMFORT ZONE BY TADAO CERN (5) COMFORT ZONE BY TADAO CERN (6) COMFORT ZONE BY TADAO CERN (7) COMFORT ZONE BY TADAO CERN (8) COMFORT ZONE BY TADAO CERN (9) COMFORT ZONE BY TADAO CERN (10) COMFORT ZONE BY TADAO CERN (1)

From the series ‘Comfort Zone’ by photographer Tadao Cern. Words from his website:

Real people – real stories.

While spending a weekend at the seaside, I’ve decided to visit a public beach that I haven’t seen since I was a little boy. There I saw a possibility to recite a lot of stories only from looking at the things that people bring with them. I’ve got so inspired that I had to quit what I was doing at the time and indulge into a new project. I came back the very next week with all my equipment needed for a photoshoot.

I started this series because I was surprised how a certain place or surrounding can affect people’s behavior. During our everyday life we attempt to hide our deficiencies, both physical and psychological. However, once we find ourselves on a beach – we forget about everything and start acting in an absolutely different manner. Is that because everyone else around you is doing the same? If yes, I would love that the same rules were applied beyond the borders of the beach – people would care less about what others may think about them. I believe that this in turn would show how different, interesting and beautiful we truly are. The deeper you dig, the greater possibilities arise. And the more you think – the more you question and ponder.

These photos are not staged and people did not suspect that they were photographed by me. I chose to capture images of sleeping vacationers because it accurately represents the name of the project ‘Comfort Zone’. It is only about the seaside, sunbathing and holiday somnolence that is free from a world surrounding you. I chose to showcase only the photos with hidden faces not by an accident, but to grant an observer with an opportunity to calmly scrutinize each and every detail without being distracted. It also helps to avoid empathy or connection between people in the photos and the observers. It really does not matter who they are – the details not only reveal their stories, but make us face ourselves as well.

My favorite piece is the one with the two ladies – it was my first shot and from the moment I saw it, I was convinced that I must finish this project no matter what. Even though the process was stressful and frustrating, today I can finally say that I am really happy with the end result that turned into a collection of 24 large scale prints. Images that can be seen on the internet is only a part of it and I hope that a chance will present itself for everyone to discover all of them during the exhibitions.

We have had too much

Overdevelopment, Overpopulation, Overshoot (OVER) contains powerful and evocative images showing the ecological and social tragedies of humanity’s ballooning numbers and consumption. It retails for $50, but as part of Speak Out you can request free books to use raising awareness about these important and urgent issues.

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We make faces

Toon Bombing A Toronto Artist Turns Outdoor Objects into Googly-Eyed Faces (3) Toon Bombing A Toronto Artist Turns Outdoor Objects into Googly-Eyed Faces (2) Toon Bombing A Toronto Artist Turns Outdoor Objects into Googly-Eyed Faces (4) Toon Bombing A Toronto Artist Turns Outdoor Objects into Googly-Eyed Faces (5) Toon Bombing A Toronto Artist Turns Outdoor Objects into Googly-Eyed Faces (1)

Toon Bombing – Toronto based artist Aiden Glynn turns outdoor objects into googly-eyed faces

We recycle

reyes-3 reyes-4 reyes-5 reyes-6

Mexico City based artist Pedro Reyes fabricates 50 functional music instruments from destroyed drug war weapons. He acquired some 6,700 weapons that were scheduled to be buried (as is customary in mass weapon disposals) and instead collaborated with six musicians to create 50 working instruments as part of a statement regarding increased gun violence in Mexico. The numerous firearms were cut down, welded and formed into a variety of string, wind, and percussion instruments over a period of two weeks last month. Via his blog Reyes says:

It’s difficult to explain but the transformation was more than physical. It’s important to consider that many lives were taken with these weapons; as if a sort of exorcism was taking place the music expelled the demons they held, as well as being a requiem for lives lost. […] This is also a call to action, since we cannot stop the violence only at the place where the weapons are being used, but also where they are made. There is a disparity between visible and invisible violence. The nearly 80,000 deaths by gun-shot that have occurred in Mexico in the last 6 years, or the school shootings in the US are the visible side of violence. The invisible side is that one of gun trade-shows, neglecting assault rifle bans, and shareholder profit from public companies. This is a large industry of death and suffering for which no cultural rejection is expressed.Guns continue to be depicted as something sexy both in Hollywood and in videogames; there may be actors who won’t smoke on the screen, but there has not been one who would reject the role of a trigger-happy hero.

We are out of space

Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (8) Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (7) Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (6) Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (5) Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (4) Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (3) Thomas Rusch Outer Space Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space  (2)

‘Outer Space’ –  Since 2012 Thomas Rusch participates and follows the “outer space” project of Michael Najjar, a Berlin based artist. Together they visited international space facilities and took part in cosmonaut training units. Thomas Rusch is documenting this unique artistic project on film and photography under water, on parable flights and other unusual locations.

We want to hide

Kimiko Yoshida.The Mao Bride (Red Guard Red).Self Portrait, 2009 (2) Kimiko Yoshida.The Mao Bride (Red Guard Red).Self Portrait, 2009 (1) Kimiko Yoshida.The Mao Bride (Red Guard Red).Self Portrait, 2009 (3)

Kimiko Yoshida – The Mao Bride. Self Portrait, 2009

We need some grooming

Will it beard by a non-fearless tumblr project (2) Will it beard by a non-fearless tumblr project (3) Will it beard by a non-fearless tumblr project (4) Will it beard by a non-fearless tumblr project (5) Will it beard by a non-fearless tumblr project (1)

Will It Beard – Pierce Thiot and his wife Stacy Thiot have created a bizarre Tumblr called Will It Beard, which is devoted entirely to the couple sticking things into Pierce’s beard and photographing the results.

Shaving razors, lollipops, uncooked noodles, cocktail umbrellas and, yes, even lit matches, they have tried it all.

We have a long way to go

Perú - By [-A-A-] (2) Perú - By [-A-A-] (3) Perú - By [-A-A-] (1)

Peru – unknown photographer

We are back in the house

Hazukashi House, Kyoto by Alts Design Office Hazukashi House, Kyoto by Alts Design Office  (4) Hazukashi House, Kyoto by Alts Design Office  (3) Hazukashi House, Kyoto by Alts Design Office  (2)

Hazukashi House, Kyoto by Alts Design Office

We need some calm

Claire Droppert - Silence series, 2012 (2) Claire Droppert - Silence series, 2012 (3) Claire Droppert - Silence series, 2012 Claire Droppert - Silence series, 2012 (4)

Claire Droppert – Silence series, 2012

We are charlie

Je-suis-Charlie hebdo

Charlie Hebdo

Happy New Year

Absurdly Expressive Dog Portraits by Elke Vogelsang (2) Absurdly Expressive Dog Portraits by Elke Vogelsang (3) Absurdly Expressive Dog Portraits by Elke Vogelsang (4) Absurdly Expressive Dog Portraits by Elke Vogelsang (5) Absurdly Expressive Dog Portraits by Elke Vogelsangdogs-gang-dnr_2863298k dogs-ears-dNR_2863371k dogs-tongue-dnr_2863317k DOGS-WONDERLAND-DN_2863313k dogs-goofy-dnr_2863294k

Fantastic Dog Portraits by Elke Vogelsang

We live in the snow

Jeroen Toirkens - Nomad (2) Jeroen Toirkens - Nomad (3) Jeroen Toirkens - Nomad (4) Jeroen Toirkens - Nomad (2011) JJAT_Sami11/06_19_02

From the series ‘NomadsLife’ by Dutch photographer Jeroen Toirkens.

 

Since 1999 Toirkens has been following the lives of various nomadic tribes in Central Asia, Russia, Mongolia and the Arctic region. He discovered that globalisation, poverty and climate change are making it increasingly difficult for them to maintain their traditional way of life. With NomadsLife Toirkens creates a diverse and often poignant picture of nomadism in the 21st century.

In 1999 Jeroen Toirkens became fascinated by the nomad families high in Turkey’s Bolkar Mountains. He encountered the way of life of the Yörük, who were struggling with the pressures of a modernising Turkey. What were originally their nomadic pastures were being bought up by real estate developers, and many of the young people were departing for life in the cities. After that he visited other originally nomadic peoples who were encountering comparable problems. For instance, in 2005 and 2006 he and the journalist Jelle Brandt Corstius spent time with the Sámi and the Nenets in Russia. Before the Soviet era family units from these tribes were constantly on the move with their herds. Under the Soviet regime they were forced to become workers on collective farms, the kolchoses, a policy from which they are still suffering the consequences. Most recently Toirkens visited Barrow in Alaska, the centre for traditional whaling. There the nomadic life has already made way for a settled lifestyle.

In March 2011 the book Nomad was published by Belgian publisher Lannoo.

We got a haircut

the indian city of bikaner host an annual camel festival in january. the designs are the results of trimming and dying the camel hair. photos steve hoge and osakabe yasuo (2) the indian city of bikaner host an annual camel festival in january. the designs are the results of trimming and dying the camel hair. photos steve hoge and osakabe yasuo (3) the indian city of bikaner host an annual camel festival in january. the designs are the results of trimming and dying the camel hair. photos steve hoge and osakabe yasuo (4) the indian city of bikaner host an annual camel festival in january. the designs are the results of trimming and dying the camel hair. photos steve hoge and osakabe yasuo (1) the indian city of bikaner host an annual camel festival in january. the designs are the results of trimming and dying the camel hair. photos steve hoge and osakabe yasuo (5) the indian city of bikaner host an annual camel festival in january. the designs are the results of trimming and dying the camel hair. photos steve hoge and osakabe yasuo (1)

The Indian city of Bikaner hosts an annual camel festival in January. The designs are the results of trimming and dying the camel hair. Photographs by Steve Hoge and Osakabe Yasuo.

We light up

James Turrell James Turrell Aten Reign, 2013 (3) James Turrell Aten Reign, 2013 (4) James Turrell Aten Reign, 2013 (5) James Turrell Aten Reign, 2013 (6) James Turrell Aten Reign, 2013 (1)

‘Aten Reign’ by light artist James Turrell’s, in the Solomon R. Guggenheim Museum in New York.

We are running free

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‘Man & Mortar’ – photo series by Jason Paul, capturing fellow athlete parkour world champion Tim Shieff as he runs free around the city of London – naked.

The prints are now exclusively available to buy on Beautiful Crime and the project is supported by The Naked Chef, Jamie Oliver, with a percentage of all print sales going to his charity, the Fifteen apprentice programme.

 This collection of stunning images was inspired by the juxtaposition found within the architecture of modern Greek cities, with surviving statues and monuments of the ancient world – which they’ve then transposed to the iconic urban landscapes of Central London. Both professional athletes and World champions within the discipline of Parkour, ‘The Art of Movement’, it was Tim and Paul’s physical abilities that facilitated their access to photographic locations beyond the reach of normal photographers and models.

Jason and Tim were interested in examining how within everyday life, we casually accept – or fail to even notice – artistic effigies of the naked human form such as statues or paintings, yet the sight of uncovered flesh within the same space generates consternation and surprise.

Talking about the project,  leading parkour Jason Paul says: ”Lots of the London architecture we shot against has a square, rigid and linear feel to it, contrasting starkly with the curves of the athletic, natural human form.”

Tim Shieff, World free run champion and close friend of The Naked Chef Jamie Oliver adds that, “People are often disconnected from their own human form within their daily lives, we wanted to play with the idea of presenting our natural state within the urban straightjacket of conformity.”

Collectively they wanted to make a difference with this unique project and have therefore decided to donate a proportion of each print sold to Jamie’s charity for disadvantaged teenagers, the Fifteen apprentice programme.

Tim, who regularly appears on Jamie’s Youtube channel ‘Food Tube’  as a leading figure within the contemporary Vegan and raw food movement, felt that the inspiring nature of the pictures – promoting body image confidence – sits perfectly with the values and goals of the Fifteen charity. (text via beautifulcrime.com)

 

House of Patios

East façade fragment showing living room and bedroom´s courtya House of Patios AR arquitetos (3) Detail of mezzanine from staircase Backyard view pointing northwest Courtyard upward view East façade fragment showing mezzanine´s courtyard, evening vi

‘Casa dos pátios’ in Sao Paulo, Brazil – designed by ar arquitetos / photographed by Leonardo Finotti

We are a mazed

Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (2) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (3) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (4) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (5) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (6) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (1)

A giant 60-foot maze at the National Building Museum in Washington, D.C created by Danish architects BIG – Bjarke Ingels Group

We take a breath

John Franzen - Each Line One Breath (2) John Franzen - Each Line One Breath (3) John Franzen - Each Line One Breath (4) John Franzen - Each Line One Breath (5) John Franzen - Each Line One Breath (6) John Franzen - Each Line One Breath (1)

“Each Line One Breath” is a series of meditative drawings by artist John Franzen. He calls them morphogenetic freehand drawings.

He starts with a straight line all the way down a page, and then slowly draws another line beside it. He tries his best to copy the line exactly but inevitably there are tiny imperfections. These “mistakes” are amplified as he copies each new line, and the drawing begins to reveal itself like a curtain. (text via booooom.com)

We want to travel

India by Josef Hoflehner India by Josef Hoflehner (4) India by Josef Hoflehner (6) India by Josef Hoflehner (2) India by Josef Hoflehner (5) India by Josef Hoflehner (7) India by Josef Hoflehner (3)

India by Josef Hoflehner

We need to cook

Cut Food by Beth Galton and Charlotte Omnes (2) Cut Food by Beth Galton and Charlotte Omnes (3) Cut Food by Beth Galton and Charlotte Omnes (4) Cut Food by Beth Galton and Charlotte Omnes

‘Cut Food’ by Beth Galton and Charlotte Omnes /

Photographer Beth Galton and food stylist Charlotte Omnes have created a fantastic ‘Cut Food’ exhibition – a set of mesmerizing photographs of everyday foods and drinks sliced neatly in half. Some of the food items are relatively straight forward to cut cleanly in half, while others, like the ‘iced’ soda have to be set in gelatin first in order to solidify the liquid.

We are scratching the surface

Tony Orrico - Penwald Drawings (3) Tony Orrico - Penwald Drawings (5) Tony Orrico - Penwald Drawings (7) Tony Orrico - Penwald Drawings (2) Tony Orrico - Penwald Drawings (4) Tony Orrico - Penwald Drawings (6) Tony Orrico - Penwald Drawings

Penwald Drawings by Tony Orrico. Tony is an artist and dancer who has been called the human spirograph, performing for up to 4 hours continuously taking the concept to the next level by using his entire body in the drawing process.

Factory Living

Bofill_266-12 001 Bofill_266-02 001 The Factory, Sant Just Desvern, Spain by Ricardo Bofill (4) The Factory, Sant Just Desvern, Spain by Ricardo Bofill (5) The Factory, Sant Just Desvern, Spain by Ricardo Bofill (6) The Factory, Sant Just Desvern, Spain by Ricardo Bofill (1)

The amazing ‘Factory’, Sant Just Desvern, Spain by architect Ricardo Bofill.

In 1973 Ricardo Bofill found a disused cement factory, an industrial complex from the turn of the century consisting of over 30 silos, subterranean galleries and huge machine rooms, and he decided to transform it into the head office of Taller de Arquitectura. Remodelling work lasted two years. The factory, abandoned and partially in ruins, was a compendium of surrealist elements: stairs that climbed up to nowhere, mighty reinforced concrete structures that sustained nothing, pieces of iron hanging in the air, huge empty spaces filled nonetheless with magic.