We have a lot to do

Phenomenal Photography

In his series 'Totems' set in Shanghai, China french photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China. Hereby the migrants' loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme's work. In addition, the photographer uses candy-coated hues to veer away from reality. In his series 'Totems' set in Shanghai, China french photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China. Hereby the migrants' loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme's work. In addition, the photographer uses candy-coated hues to veer away from reality. In his series 'Totems' set in Shanghai, China french photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China. Hereby the migrants' loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme's work. In addition, the photographer uses candy-coated hues to veer away from reality.In his series 'Totems' set in Shanghai, China french photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China. Hereby the migrants' loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme's work. In addition, the photographer uses candy-coated hues to veer away from reality. In his series 'Totems' set in Shanghai, China french photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China. Hereby the migrants' loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme's work. In addition, the photographer uses candy-coated hues to veer away from reality. In his series 'Totems' set in Shanghai, China french photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China. Hereby the migrants' loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme's work. In addition, the photographer uses candy-coated hues to veer away from reality.

In his series ‘Totems’ set in Shanghai, China French photographer Alain Delorme pays homage to the underdog heroes of the city, migrant bicycle workers lugging around heaps of cargo to keep the ever-expanding city afloat. Delorme turns this real injustice into a surreal circus whereby he digitally alters his photos to better convey his message about the wealth disparity in China.

Hereby the migrants’ loads have been digitally retouched and purposefully exaggerated to draw attention to the symbolism within Delorme’s work. In addition, the photographer uses candy-coated hues to veer away from reality.

Advertisements

7 thoughts on “We have a lot to do”

Leave a Reply

Fill in your details below or click an icon to log in:

Gravatar
WordPress.com Logo

You are commenting using your WordPress.com account. ( Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. ( Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. ( Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. ( Log Out /  Change )

w
Cancel

Connecting to %s