We are amused

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Cony Island amusement park, Brooklyn, New York City by Franck Bohbot

Bohbot’s series, entitled “Last Stop — Coney Island” transforms the seedy New York amusement park into a placid landscape of washed out pastels and muted dreams. Through Bohbot’s lens, the park morphs into a hazy limbo trapped somewhere between a child’s idealised version of the adventure park and an adult’s far more jaded perspective. The eerie yet beautiful landscapes conjure the opposite feeling of actually being at the crowded, sweat-filled pier, and that’s exactly why they have us so entranced.

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We could use a cabin

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A Lake Cottage in Bolsover, Ontario, Canada by UUfie / photographed by Naho Kubota.

Words from the architects:

Lake Cottage is a reinterpretation of living in a tree house where nature is an integral part of the building. In a forest of birch and spruce trees along the Kawartha Lakes, the cottage is designed as a two storey, multi-uses space for a large family. The structure, composed of a 7m high A-frame pitch roof covered in black steel and charred cedar siding. A deep cut in the building volume creates a cantilever overhang for a protected outdoor terrace with mirrors to further give the illusion of the building containing the forest inside.

Fourteen openings in the main living space reveal both inhabited spaces, skies and trees. The abstract nature of the interior spaces allows the imagination to flow, and those spaces that could be identified as a domestic interior can suddenly become play spaces. A solid timber staircase leads to a loft which gives the feeling of ascending into tree canopies as sunlight softy falls on a wall covered in shingles stained in light blue.

Using local materials and traditional construction methods, the cottage incorporated sustainable principles. The black wood cladding of the exterior is a technique of charring cedar that acts as a natural agent against termite and fire. Thick walls and roof provide high insulation value, a central wood hearth provides heat, deep recessed windows and operable skylights provide ventilation and diffused natural light.

We are back in the house

Hazukashi House, Kyoto by Alts Design Office Hazukashi House, Kyoto by Alts Design Office  (4) Hazukashi House, Kyoto by Alts Design Office  (3) Hazukashi House, Kyoto by Alts Design Office  (2)

Hazukashi House, Kyoto by Alts Design Office

We light up

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‘Aten Reign’ by light artist James Turrell’s, in the Solomon R. Guggenheim Museum in New York.

House of Patios

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‘Casa dos pátios’ in Sao Paulo, Brazil – designed by ar arquitetos / photographed by Leonardo Finotti

We are a mazed

Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (2) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (3) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (4) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (5) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (6) Giant Bjarke Ingels Group Maze Opens The 60-foot maze opens today at the National Building Museum in Washington, D.C (1)

A giant 60-foot maze at the National Building Museum in Washington, D.C created by Danish architects BIG – Bjarke Ingels Group

Factory Living

Bofill_266-12 001 Bofill_266-02 001 The Factory, Sant Just Desvern, Spain by Ricardo Bofill (4) The Factory, Sant Just Desvern, Spain by Ricardo Bofill (5) The Factory, Sant Just Desvern, Spain by Ricardo Bofill (6) The Factory, Sant Just Desvern, Spain by Ricardo Bofill (1)

The amazing ‘Factory’, Sant Just Desvern, Spain by architect Ricardo Bofill.

In 1973 Ricardo Bofill found a disused cement factory, an industrial complex from the turn of the century consisting of over 30 silos, subterranean galleries and huge machine rooms, and he decided to transform it into the head office of Taller de Arquitectura. Remodelling work lasted two years. The factory, abandoned and partially in ruins, was a compendium of surrealist elements: stairs that climbed up to nowhere, mighty reinforced concrete structures that sustained nothing, pieces of iron hanging in the air, huge empty spaces filled nonetheless with magic.