House of Patios

East façade fragment showing living room and bedroom´s courtya House of Patios AR arquitetos (3) Detail of mezzanine from staircase Backyard view pointing northwest Courtyard upward view East façade fragment showing mezzanine´s courtyard, evening vi

‘Casa dos pátios’ in Sao Paulo, Brazil – designed by ar arquitetos / photographed by Leonardo Finotti

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We look up

'Fundação Iberê Camargo' in Porto Alegre, Brazil by famous Portuguese architect Alvaro Siza / unknown photographer

‘Fundação Iberê Camargo’ in Porto Alegre, Brazil by famous Portuguese architect Alvaro Siza / unknown photographer

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We are on our way back

'Rodovia dos Imigrantes' - (official designation SP‑160) is a highway in the state of São Paulo, Brazil. The highway connects the city of São Paulo to the Atlantic coast and with the seaside cities of São Vicente and Praia Grande. It follows the route of Rodovia Anchieta and is also one of Brazil's busiest highways, especially on weekends.  Rodovia dos Imigrantes has 44 viaducts, 7 bridges, and 11 tunnels, along its 58.5 km stretch. The highway has recently been expanded, in one of the most audacious feats of Brazilian highway engineering, with extremely long tunnels and high strutting six-lane bridges constructed over the tropical rain forest which covers the steep faces of the Serra do Mar, the cliff range that separates the São Paulo plateau from the seaside lowlands. During sunny weekends, more than 1 million automobiles commonly cross its near 60 km run, separating the city of São Paulo from the sea. (Text: Wikipedia)

‘Rodovia dos Imigrantes’ – (official designation SP‑160) is a highway in the state of São Paulo, Brazil. The highway connects the city of São Paulo to the Atlantic coast and with the seaside cities of São Vicente and Praia Grande. It follows the route of Rodovia Anchieta and is also one of Brazil’s busiest highways, especially on weekends.

Rodovia dos Imigrantes has 44 viaducts, 7 bridges, and 11 tunnels, along its 58.5 km stretch. The highway has recently been expanded, in one of the most audacious feats of Brazilian highway engineering, with extremely long tunnels and high strutting six-lane bridges constructed over the tropical rain forest which covers the steep faces of the Serra do Mar, the cliff range that separates the São Paulo plateau from the seaside lowlands. During sunny weekends, more than 1 million automobiles commonly cross its near 60 km run, separating the city of São Paulo from the sea. (Text: Wikipedia)

We had a weird dream

black and white optical illusion-art on the floor cosas cool dream fantastic environments installation op artIt is a constellation of photographic works, installations and objects, always monochromatic (black over white), reverberating with each other, which she considers as "a reflection of projected shadows, materialized as visual parody of the projective codes of the linear perspective, of the theory of shadows, of photography and of the topographic drawings." In the establishment of visual structures, based on the infraction of laws of the projection system of classical perspective, she was mostly interested in the use of viewpoints and visual angles, as she still is today. Abyssal -Regina Silveira

abyssal regina silveira brazilian artist optical illusion It is a constellation of photographic works, installations and objects, always monochromatic (black over white), reverberating with each other, which she considers as "a reflection of projected shadows, materialized as visual parody of the projective codes of the linear perspective, of the theory of shadows, of photography and of the topographic drawings." In the establishment of visual structures, based on the infraction of laws of the projection system of classical perspective, she was mostly interested in the use of viewpoints and visual angles, as she still is today.

Photograph of an illusional black and white space materialised as a visual parody called “Abyssal”, by brazilian artist Regina Silveira

It is a constellation of photographic works, installations and objects, always monochromatic (black over white), reverberating with each other, which she considers as “a reflection of projected shadows, materialized as visual parody of the projective codes of the linear perspective, of the theory of shadows, of photography and of the topographic drawings.” In the establishment of visual structures, based on the infraction of laws of the projection system of classical perspective, she was mostly interested in the use of viewpoints and visual angles, as she still is today.

We rest

oscar niemeyer modern architect brazil niteroi contemporary art museum recent death of brailian legendary modernist star architect oscar niemeyer white concrete light organic architecture forms

View of the Niterói Contemporary Art Museum as seen from the Maquinho, the Museum’s Community Art Center. / Photo: Pablo Helguera / Architect: Oscar Niemeyer

 

 

 

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modern architecture brazil oscar niemeyer photography
modern architecture brazil oscar niemeyer photography