Fantastic Black and white photographs of the Selfridges Building in Birmingham, UK designed by architecture studio Future Systems, photographed by Giles McGarry
A curated glimpse into a world of infinite beauty and creativity.
Fantastic Black and white photographs of the Selfridges Building in Birmingham, UK designed by architecture studio Future Systems, photographed by Giles McGarry
Amazing photo of a wavy GT Tower East located in the city of Seoul.
Dutch firm ArchitectenConsort just completed a wavy new skyscraper that brings a fascinating change to the cityscape of Seoul, South Korea. The undulating glass facade of GT Tower East makes it look different from every angle.(via mymodernnet)
The Design Hub – new design department headquarters of Melbourne’s Institute of Technology, designed by Sean Godsell Architects in conjunction with Peddle Thorp Architects, featuring a facade made thousands of discs creating an almost honeycomb effect and functioning as automated sunshades. / Photographs by Earl Carter
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Photographs of the ‘Buda Art Centre’ – an old textile factory that has been transformed into an art center by 51N4E architects in Kortrijk, Belgium / photographs by Filip Dujardin
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Beautiful monochrome black and white photographs of a organic architectural facades. From top to bottom: Esplanade Theatres on the Bay, Singapore by Luc V. de Zeeuw /// Museo Soumaya, Mexico City, unknown photographer /// unknown building, by Cara Valente
which one is your favourite?
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“Brüssels #02”, 2001 / photographed by Matthias Hoch
/// Building façades, parking decks, functional structures – Matthias Hoch’s photographs are images of contemporary urbanity. In lucid compositions, his photos expose the materials of the modern age in all of their austere sensuality. According to the Frankfurter Allgemeine Zeitung, they are ‘adequate images for postindustrial society.’ Objects are positioned precisely and with a keen sense of surface quality in the pictorial format and often evoke irritatingly ambiguous and puzzling effects by virtue of the artist’s choice of scale and perspective. Beginning with the rapidly changing urban landscapes of eastern Germany, the photographer (*1958) has been exploring the ubiquitous formal language of modern European urban development since his days as a student at the Leipzig Kunsthochschule. The views he presents seem virtually impossible to localize. They document Hoch’s critical, analytical approach to the space around us, yet they also exhibit a remarkable sculptural quality.