We are coloured

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

http://www.angelicadass.com/humanae-work-in-progress/

Humanae/ Angelica Dass/

http://www.angelicadass.com/humanae-work-in-progress/

Humanae/ Angelica Dass/ Humanae/ Angelica Dass/ Humanae/ Angelica Dass/

http://www.angelicadass.com/humanae-work-in-progress/

Humanae by Angelica Dass

Words from the photographer:

Humanæ  is a chromatic inventory, a project that reflects on the colors beyond the borders of our codes by referencing the PANTONE® color scheme.

The project development is based on a series of portraits whose background is dyed with the exact Pantone® tone extracted from a sample of 11×11 pixels of the portrayed´s face. The project’s objective is to record and catalog all possible human skin tones.

Humanæ it’s a pursuit for highlighting our subtle-continuous of our tones that make more equality than difference… our true colors, rather than the untrue Red and Yellow, Black and White. It is a kind of game for subverting our codes. The audience is free to read into it. The ultimate goal is to provoke and bring currently using internet as a discussion platform on ethnic identity, creating images that lead us to match us independent from factors such as nationality, origin, economic status, age or aesthetic standards.

(All the portrayed are volunteers, people who approach to the project, visit the space in which I am portraying and decide to participate on their own by a Internet call on the Facebook page, on Tumblr , using public spaces in Madrid, Barcelona, Valencia, Winterthur, Bergen, Daegu,Addis Ababa, Rio de Janeiro, São Paulo, Paris and Chicago)
(PANTONE® Guides are one of the main classification systems of colors, which are represented by an alphanumeric code, allowing to accurately recreate any of them in any media. It is a technical industrial standard often called Real Color)
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We are going to put on a shirt

Spencer Tunick Power to the People (1) Spencer Tunick Power to the People (2) Spencer Tunick Power to the People (3) Spencer Tunick Power to the People (5)

Spencer Tunick – Power to the People / For 20 years now, New York-based photographer Spencer Tunick has been creating human art installations all over the world, calling together volunteers by the hundreds or thousands, asking them to remove their clothes, and photographing them in massive groups. His philosophy is that “individuals en masse, without their clothing, grouped together, metamorphose into a new shape.” He aims to create an architecture of flesh, where the masses of human bodies blend with the landscape, or juxtapose with architecture. (Text via the atlantic)

We want to go on safari

Office Safari (2) Office Safari (3) Office Safari (4) Office Safari (5) Office Safari (6) Office Safari (1)

Office Safari…explains itself ;)

Comfort Zone

COMFORT ZONE BY TADAO CERN (2) COMFORT ZONE BY TADAO CERN (3) COMFORT ZONE BY TADAO CERN (4) COMFORT ZONE BY TADAO CERN (5) COMFORT ZONE BY TADAO CERN (6) COMFORT ZONE BY TADAO CERN (7) COMFORT ZONE BY TADAO CERN (8) COMFORT ZONE BY TADAO CERN (9) COMFORT ZONE BY TADAO CERN (10) COMFORT ZONE BY TADAO CERN (1)

From the series ‘Comfort Zone’ by photographer Tadao Cern. Words from his website:

Real people – real stories.

While spending a weekend at the seaside, I’ve decided to visit a public beach that I haven’t seen since I was a little boy. There I saw a possibility to recite a lot of stories only from looking at the things that people bring with them. I’ve got so inspired that I had to quit what I was doing at the time and indulge into a new project. I came back the very next week with all my equipment needed for a photoshoot.

I started this series because I was surprised how a certain place or surrounding can affect people’s behavior. During our everyday life we attempt to hide our deficiencies, both physical and psychological. However, once we find ourselves on a beach – we forget about everything and start acting in an absolutely different manner. Is that because everyone else around you is doing the same? If yes, I would love that the same rules were applied beyond the borders of the beach – people would care less about what others may think about them. I believe that this in turn would show how different, interesting and beautiful we truly are. The deeper you dig, the greater possibilities arise. And the more you think – the more you question and ponder.

These photos are not staged and people did not suspect that they were photographed by me. I chose to capture images of sleeping vacationers because it accurately represents the name of the project ‘Comfort Zone’. It is only about the seaside, sunbathing and holiday somnolence that is free from a world surrounding you. I chose to showcase only the photos with hidden faces not by an accident, but to grant an observer with an opportunity to calmly scrutinize each and every detail without being distracted. It also helps to avoid empathy or connection between people in the photos and the observers. It really does not matter who they are – the details not only reveal their stories, but make us face ourselves as well.

My favorite piece is the one with the two ladies – it was my first shot and from the moment I saw it, I was convinced that I must finish this project no matter what. Even though the process was stressful and frustrating, today I can finally say that I am really happy with the end result that turned into a collection of 24 large scale prints. Images that can be seen on the internet is only a part of it and I hope that a chance will present itself for everyone to discover all of them during the exhibitions.

We have had too much

Overdevelopment, Overpopulation, Overshoot (OVER) contains powerful and evocative images showing the ecological and social tragedies of humanity’s ballooning numbers and consumption. It retails for $50, but as part of Speak Out you can request free books to use raising awareness about these important and urgent issues.

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We switch

'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut.  'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. switching clothes (13) 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut. 'Switcheroos' - couples  switching clothes / cool photography project by Hana Pesut.

‘Switcheroos’ – couples  switching clothes / cool photography project by Hana Pesut.

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We had a big day!

The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works. The 'Little People Project' started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works.

‘The Little People Project – abandoning people on the streets’ by photographer ‘Slinkachu’

words by the artist:

The ‘Little People Project’ started in 2006. It involves the remodelling and painting of miniature model train set characters, which I then place, photograph and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works.

/ for more great Art, Architecture, Design and Photography works, come follow us now on Facebook or visit us on Pinterest

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