We are planning another hiking trip. This photo is from our last one in the beautiful Peak District, northern England.
Horizon is a series of photographs of the serene clear sky and horizon above the Aegean Sea of Greece during sunset hours, transformed into a set of colorful abstract gradients.
View from New York’s fantastic High Line. You can also Follow us on Instagram
Looking up at the famous Guggenheim Museum in NYC. Follow us on Instagram
Photographed in England’s Peak District
The amazing Turbine Hall of the Tate Modern Museum, London. Photographed by Tom Radenz
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This is what we call a sky garden – the amazing Guinigi Tower in Lucca, Tuscany, Italy. Follow us now Instagram :)
This little guy is part of a magnificent rock formation at ‘Meteora’ in central Greece. For more, visit tomradenz.com
We are off getting married on the beautiful Greek island of Sifnos. See you in 3 weeks :)
Photographs by Tom Radenz
Hang Son Doong in Vietnam is the largest cave on Earth. Located near the border between Laos and Vietnam, this behemoth is approximately 9km (5.6 miles) long and contains its own large, flowing river.
The largest chamber in this single cave runs for 5km (3.1 miles), is 200m (656ft) high and 150m (492ft) wide, and contains some of the tallest stalagmites in the world – up to 70m tall (229ft).
Meet the biggest photograph ever taken – capturing Mount Blanc at a height of 3500m, by Italian photographer Filippo Blengini who stitched 70.000 individual photographs into a single 365 Gigapixel image, 46 Terabytes in file size. View the image HERE and zoom in to explore the incredible detail.
Luoping Rape Flower Fields, Yunnan Province, China / photographed by +Lanzi These sparkling images, that look more like a golden ocean, are of yellow rapeseed flowers, also known as canola, attract thousands of tourists every year (during the blossoming season) to Luoping, a small county in eastern China.
In a surreal blend of day and night, Budapest-based photographer Bence Bakonyi’s series “Urbanite” features vast cityscapes seemingly devoid of people. Shot in Hong Kong and Shanghai, the series presents settings in which the presence of humanity is eerily close, as though the population had suddenly fled, leaving lights on and laundry on the line.Bakonyi’s artist statement describes the series’ intended effect upon its audience; “The ‘Urbanite’ series is an account of how the artist found his home in the unknown. We can see the city as it is presented by the photographer, but also the artist who is in turn brought closer to us by China.” (text via fstoppers.com)
Cony Island amusement park, Brooklyn, New York City by Franck Bohbot
Bohbot’s series, entitled “Last Stop — Coney Island” transforms the seedy New York amusement park into a placid landscape of washed out pastels and muted dreams. Through Bohbot’s lens, the park morphs into a hazy limbo trapped somewhere between a child’s idealised version of the adventure park and an adult’s far more jaded perspective. The eerie yet beautiful landscapes conjure the opposite feeling of actually being at the crowded, sweat-filled pier, and that’s exactly why they have us so entranced.
From the series: ‘Veiled Mystery of Morocco” (1974) by Irving Penn
American photographer Irving Penn (1917 – 2009) is widely known for his fashion, portrait, and still life images, but he also pursued numerous opportunities to photograph the indigenous people of Africa, Latin America and Melanesia.
In 1948 Penn went to Cuzco, a small town in the centre of the Peruvian Andes, to photograph its inhabitants. Photographing with northern light, Penn posed his sitters in manners that emphasized the texture and form of their garments and presented them with honesty through the strength of their expressions. Despite the cultural gulf that separated photographer and subject, Penn’s portraits stand as sensitive and intimate records.
In the years following his work in Cuzco, Penn continued to travel the globe with the curiosity of an anthropologist and the eye of an artist. He would design and build a portable studio for his travel into isolated areas. In 1967, he landed in Dahomey, a region now part of Benin. With his tent studio in tow, Penn installed his set throughout the country, documenting the pride and splendour of its many tribes. Two years later, he travelled to Cameroon to photograph the Kirdi, a Sudanese speaking ethnic minority from the north. In the solitude of his portable studio, Penn made visual records of a people imbued with inner peace and spiritual gravity.
During his travels, Penn produced some of his best photographs in 1970 in the highlands of New Guinea. In this mountainous territory, he made majestic portraits of villagers elaborately deco¬rated with a body art unique to the region. A year later, Penn carried out his final trip of this kind to Morocco, a place both familiar and mysterious to him, to photograph the men and often veiled women of the Arabic tribes along the Atlas mountain range.
The power and elegance of these pictures, made into meticulous prints by the artist, reveal the affection Penn had for the spirit and traditions of these individuals and his deep respect for their respective cultures. (text via photography-now)
From the series ‘NomadsLife’ by Dutch photographer Jeroen Toirkens.
Since 1999 Toirkens has been following the lives of various nomadic tribes in Central Asia, Russia, Mongolia and the Arctic region. He discovered that globalisation, poverty and climate change are making it increasingly difficult for them to maintain their traditional way of life. With NomadsLife Toirkens creates a diverse and often poignant picture of nomadism in the 21st century.
In 1999 Jeroen Toirkens became fascinated by the nomad families high in Turkey’s Bolkar Mountains. He encountered the way of life of the Yörük, who were struggling with the pressures of a modernising Turkey. What were originally their nomadic pastures were being bought up by real estate developers, and many of the young people were departing for life in the cities. After that he visited other originally nomadic peoples who were encountering comparable problems. For instance, in 2005 and 2006 he and the journalist Jelle Brandt Corstius spent time with the Sámi and the Nenets in Russia. Before the Soviet era family units from these tribes were constantly on the move with their herds. Under the Soviet regime they were forced to become workers on collective farms, the kolchoses, a policy from which they are still suffering the consequences. Most recently Toirkens visited Barrow in Alaska, the centre for traditional whaling. There the nomadic life has already made way for a settled lifestyle.
In March 2011 the book Nomad was published by Belgian publisher Lannoo.
India by Josef Hoflehner
‘Container’ – a photographic series by German photographer Jakob Wagner who hitched a ride on the Emma Maersk, one of the largest ships in existence.
Beautiful wildlife photographs by Klaus Tiedge who in his series ‘African Wildlife’ showcases the amazing wildlife in Namibia, Botswana and Kenya
Spectacular black & white Tokyo cityscape photography by Martin Stavars
From his photography project ‘Vedema’ – a selection of enchanting photographs portraying the famous Greek island of Santorini from a different point of view, by Petros Koublis.
Words from the photographer:
The concept of this project was to bring into surface and reveal a different face of Santorini, its hidden aspects and less known parts. The idea was to turn our eyes away from the famous caldera of the island, one of the most breathtaking and photographed parts of the world, and investigate the peculiarities, the secrets and the mysteries of the landscape that spreads towards the eastern part of the island.The project was realized in the April of 2014. We approached Santorini as the equivalent of a dream.The island of Santorini rises like an enchanting secret, both hidden and revealed, both real and mythical, wrapped in the captivating drama of its prehistoric volcanic creation. The Spirit of fire still wanders among the black rocks of the island, reciting an ancient, hypnotic poem, vigorously narrating the story of its origin through the hieroglyphics that the lava ecstatically engraved in the untamed land. A strange, murmured voice that enchants like a Siren’s song echoes from the steep cliffs of the Caldera; this song is the sound of the muddled, common memory of our very own origin. It is the sound of a whispering that escapes the crater, the deep blue sea, the irregular cracks in the scattered stones, the dark lunar soil, the carved caves, the breathing of the grazing horses as they dream of their mythological ancestors; Eos, Aethon, Pyrois and Phlegon, the horses that carried the chariot of god Helios, the ancient personification of the Sun.For in this island everything is somehow linked to a dream; like that of Euphemus, who dreamt one night that he made love to a nymph, the daughter of Triton. In his dream, the nymph who got pregnant and feared the wrath of her father, asked Euphemus to get a clod of earth from Anaphe, the island they were at, and throw it to the sea, so she could hide there and safely give birth to their child; even if it was a dream, he followed the nymph’s request and the new island appeared.Dreams are a part of a subconscious that the island itself seems to project on our thoughts, this primitive seduction that connects us with a forgotten Hysiodic theogony, ritually offering to our senses the sacred philosophy of imagination.
Beautiful landscape photography series ‘East/West’ by Jonathan Smith
‘Minimal Greece’ – Rich Blues and Bright Whites from the baron islands of Greece by Tom Blachford
India by Drone – Photographer Amos Chapple’s remarkable aerial views of India were shot by attaching his camera to a ‘quadcopter’ drone
Ocean of Flowers in Luoping, China / unknown photographer(s)
From the series: Reflexiones – Examples of contemporary architecture in Spain and the UAE by Berlin based photographer Matthias Heiderich
Amazing photographs from the series ‘Cocoons’ by Peter Steinhauer
Singapore-based photographer peter steinhauer documents the architecture within the urban landscape of hong kong from an uncommon perspective — when the monolithic structures are under construction. his series of ‘cocoon’ compositions capture the towering edifices entirely wrapped in a veil of vibrantly colored silk — a typical structural material unique to the metropolis, which contains debris within and prevents it falling onto the street beneath. enveloped in the brightly-hued fabric, the skyscrapers cloaked in the web of textiles transforms the cityscape, seeming more like a massive artistic intervention rather than a construction device. blue, yellow and green fibers act as a cape, draping over every structural feature like a blanket, framing the scene. the series’ namesake references the casing that wraps some insects during a stage of their metamorphosis from caterpillar to butterfly — an appropriate way to characterize the architectural sites as they undergo their own structural renovations. (text via designboom)
Beautiful photographs of the very elegant racetrack stands of the Zarzuela Hippodrome (1935) in Madrid, Spain, by architects Carlos Arniches and Martín Dominguez, and engineer Eduardo Torroja / photographed by Ximo Michavila.
Beautiful photographs of the colorful canopy of umbrellas once again returning to the streets of Agueda, Portugal in July 2013 / captured by Patrícia Almeida
From his series ‘Courts’ by photographer Ward Roberts:
Sports courts are subjects to extremes: battered by the stomps and slams of players or else left in silence. These days, much of the beauty and pathos of courts lies in their minimalist sentiment. In their deserted state they become sculptural, attracting the eye of the photographer or painter more than the player. As Ward’s photographs show us, we easily sympathize with the treatment of such venues that are developed purely for our use and occasionally attract abuse. The only evidence of action you’ll see on many outdoor courts nowadays is the handy work of amateur graffiti ‘artists’. For many, the attraction to healthy recreational activities has been superseded by faster, louder viewing experiences. The humble local court has been neglected in preference to the stadium, which delivers sport as spectacle with staples like pre-match entertainment, merchandise and a bar. The surrounding buildings that feature in many of Ward’s images give us another clue as to where all the playing action has gone – indoors. Text by Ward Roberts
Beautiful photographs from the series ‘Limbo’ by South African photographer Dillon Marsh. Words from his website:
Limbo is a series of photographs showing trees that have died, but not yet fallen. All these trees were photographed in various suburbs of the Cape Flats area of Cape Town, including Bridgetown, Bonteheuwel, Ruyterwacht, Windermere, and The Hague.
Hello Everyone…. We are off for a one week break, holidaying in Athens, Greece. Have a great Easter! See you soon…
/ Nature’s jetpacks. Beautiful macro photography by Nordin Seruyan
The Church of St. George is one of eleven monolithic churches in Lalibela, a city in the Amhara Region of Ethiopia. Originally named Roha or Warwar, this historical and religious site is currently accepted in the modern name of Lalibela, after King Gebre Mesqel Lalibela of Ethiopia, who is regarded as a saint-like figure by the Ethiopian Orthodox Tewahedo Church. / Text via Wikipedia, unknown photographer